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God is found where these three elements meet

October 26, 2012

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Only in beauty is truth good, and goodness true. Photo/Temari 09 Licensed under Creative Commons

Truth, Goodness and Beauty.

If this were the title of an HBO miniseries I’m not sure it would be a hit. I wonder if many people would watch more than one episode of a show without crime, sex, lying or death.

Unfortunately, living in this Culture of Death we’re not attuned to fully recognize and appreciate truth, goodness and beauty, which are among the chief attributes of God. In fact, God can be found where these three qualities meet.

Called “God’s three great prophets in the human soul” by philosopher  Peter Kreeft, truth, goodness and beauty go way back in history to Judaism, Christian and Greek philosophy and pagan myth-makers. Dr. Kreeft writes:

 Beauty is known by the imagination; goodness, by conscience; and truth, by reason (in the large, ancient sense of wisdom, not just cleverness; understanding, not just calculation; reason, not just reasoning).

Closer to God

The more we seek truth, goodness and beauty in the Lord, the godlier we become. All that’s true, beautiful and good will grow if it is conformed to God, Pope Leo XIII wrote.

The three attributes have a lot to do with each other, as the Catechism points out:

 The practice of goodness is accompanied by spontaneous spiritual joy and moral beauty. Likewise, truth carries with it the joy and splendor of spiritual beauty. Truth is beautiful in itself. (CCC2500)

According to speaker and author Christopher West, beauty can lead us to goodness and truth:

 As Pope Benedict XVI says, when we allow beauty to pierce our hearts, it awakens in us our deepest desires, our desire for the Infinite.  Beauty has the ability to seize our hearts and transform us from within.

That’s what West had in mind when he and others began developing Fill These Hearts: God, Sex and the Universal Longing, a performance revealing–through the beauty of art–truth and goodness about human sexuality as found in Bl. Pope John Paul II’s Theology of the Body.

Revealing Theology of the Body through Beauty

West, indie-folk band Mike Mangione and the Union and sand artist David Leiberg are bringing Fill These Hearts in spoken word, music and art to the University of St. Thomas’s O’Shaunessy Education Center auditorium in St. Paul, Minn., this Saturday night, Oct. 27.

The idea for the event, which is more theater than lecture, came out of Pope John Paul’s Letter to Artists and a desire to make Theology of the Body themes “contemplatively present in color, shape, and sound.” It is produced by the Cor Project, a team dedicated to sharing TOB.

Art can open us to beauty, which can “seize our hearts and transform us from within,” West said. “That’s our hope for this event in a nutshell, to lead people along the way of beauty.”

Beauty, truth and goodness are essentially Love in its full cosmic and personal meaning–which is the Glory of God, according to theologian Hans Urs von Balthasar.  Only in beauty is truth good, and goodness true, he writes.

If you’re looking for something true, good and beautiful this Saturday night, HBO probably isn’t your best bet—there’s a boxing match on. But you’ll find in the unique sensory experience of  Fill These Hearts, the Lord in His truth, goodness and beauty.

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Can’t get enough of WWII history?

April 12, 2010

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pacific cover

“The Pacific: Hell Was an Ocean Away,”

by Hugh Ambrose

Whether you love reading about the Second World War because you lived through it — or like me — you feel you were born too late and missed it, you’ll sate your appetite for a good long while reading “The Pacific.”

It’s the companion book to the HBO miniseries, sharing some content with the video version. It’s also the untold half of the war from “Band of Brothers,” which covered the European Theater of Operations in a similar way.

“The Pacific,” too, tells its story through the lives of a handful of men who served in several branches of the U.S. armed forces, and most of those pretty much the full length of the war.

From Pearl Harbor to the acceptance of the surrender of the Japanese and beyond, this is an exactly researched collection of not just battle stories but human stories gathered often from first-person material: diaries kept by the combatants themselves and letters they wrote back home that were saved and cherished.

War’s brutality never hidden

Reading what happened to marines abandoned by Gen. Douglas MacArthur in the Philippines, how other marines survived suicide attacks as they fought from Guadalcanal, Peleliu, Iwo Jima and Okinawa, among other island invasions, you can’t help but admire and be grateful for the sacrifices made by thousands and thousands.

“The Pacific” takes readers inside the minds of frightened naval aviators who had never landed on an aircraft carrier but had to not only do that but attack Japanese navy ships and airfields while flying through flak and fighting off enemy planes. These people were truly amazing.

Their stories are told straight. “The Pacific” doesn’t leave out facts like the number of men who left the battlefields frightened into shell shock by the non-stop bombing and the horror of the bodies of their fellow marines blown apart. The number of instances of Japanese brutality to those they captured winds up turning U.S. forces into revenge and brutality in kind.

No sugar-coating here

While the strategies of war that are successful are noted, so are the errors that needlessly cost lives. The flyers tell of poorly designed aircraft and poorly planned assignments. Marines point to ill-advised attacks, weak officers and lines of communication so bad officers are writing notes to their troops on scraps of papers that runners have to deliver.

The U.S. Marines’ disregard for soldiers in the U.S. Army comes out clearly, especially their thoughts about the grandstanding of the Army’s MacArthur. The supreme commander’s flamboyant “return” to the Philippines — wading through the water to the peaceful beach — didn’t play well with either the marines he sacrificed as his forces fled to the safety of Australia in early 1942 or with the marines who hit beach after beach and left thousands of their buddies’ bodies in the sands and jungles of the islands they won back from the Japanese.

Author-historian Ambrose does a brilliant job of piecing the stories of his primarily five men into a readable flow that moves readers day-by-day, month-by-month and year-by-year through the war in the Pacific. You’ll feel you’ve come to know “Shifty” Shofner, “Manila John” Basilone, Gene “Sledgehammer” Sledge, Sid Phillips and Mike Micheel.

What some of these men did as warriors falls into the superhero category. Ambrose, thankfully, include a chapter titled “Legacies” in which he writes about the aftermath of the war, how it impacted his subjects and their lives after the war. While the bombing of the civilian populations of Hiroshima and Nagasaki isn’t given the treatment that one might expect, it would not be a stretch to wonder how many lives — both Japanese and American — would have been lost had the U.S. been forced to invade and conquer mainland Japan as it did the Japanese islands of Iwo Jima and Okinawa, where the Japanese fought until the last soldier even when there was no hope of victory. This book will not end the debate about whether or not the dropping of the atomic bombs on the two Japanese cities was ethical.

More maps needed

What is missing from this book — and I hesitate to fault such a wonderful read and terrific history — are more maps. I would think few of his readers who aren’t WWII vets could find the Solomons or identify the islands that make up the Phillippines, and as the battles island hopped up toward mainland Japan I kept losing track of what was where.

For those who have seen or are watching the HBO version, Ambrose notes that the book differs from the video. Two of the characters the book features are absent from the miniseries, and one of the video’s central characters appears just briefly in the book. As the author explains, “While the book and the miniseries share a core story, they are different mediums. Each must do what it does best.”

As satisfying reading, “The Pacific” does its best very, very well. — bz

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