It’s been 40 years since “Joseph and the Amazing Technicolor Dreamcoat” first hit the London stage, 31 years since Andrew Lylyod Webber’s music and Tim Rice’s lyrics told the story from Genesis on Broadway, and it’s twice before had runs at the Chanhassen Dinner Theatres, the latest only four years ago.
No mind. It just doesn’t get old. Not the way director Michael Brindisi and the company at the Chan play it.
Days later the tunes are still running through my head, of course, but what makes the Chan special are the sight-gags that are so well-timed and well-played, along with the way all the actors, all 27 of ‘em, are engaged all the time.
Take your eyes off charming Jodi Carmeli as she narrates the biblical story or off leading man Jared Oxborough as Joseph, and every single player is in character, doing his or her part to add to the action.
A good example are the way all 11 of Joseph’s brothers have a different way of expressing the distain for their favored-child brother; no two actions are alike, each a creative movement that’s perfect for the scene.
With the dancing, the great costumes and the clever props,it’s what a night’s entertainment ought to be.