“THE DEPORTEES AND OTHER STORIES,”
by Roddy Doyle
Ireland has changed.
The Ireland that for so many years forced its native population to leave has in recent times, seen a booming economy, so people struggling in other parts of the world are flocking to this new land of opportunity, Ireland.
Thank God Roddy Doyle is alive and well and writing to capture the turn around, and doing it in the manner that causes laugh-out-loud reading.
As always with Doyle, the humor percolates from human nature. His fiction takes advantage of the typically funny way the Irish have of dealing with life. He celebrates the joys in understated ways, but more often Doyle taps the embarrassing moments, exposing those insecurities that anyone human might laugh at, getting the largest chuckles from the instances when bigotry is revealed for what it is, when his characters realize the foot they’ve put into their own mouths, when David bests Goliath because of the big oaf’s self-righteousness.
“The Deportees” is the longest of the eight short stories, and arguably the richest. Doyle revives Jimmy Rabbitte, the main character of “The Commitments,” his story about a young Irish lad who loves soul music and puts together a soul band.
Rabbitte is grown up now, but he still loves music enough to name his children — besides Jimmy Two — Mahalia and Marvin, and wants to name the one his wife is carrying Aretha if its a girl, Smokey if it’s a boy.
He gets the idea for a band composed of members from around the globe who have come to call Ireland home, and the fun gets going big time as Jimmy opens auditions.
In all the stories, “The Deportees” included, the hard edge of dealing with racial and national prejudice rides right along side the humor.
In “57% Irish,” Doyle takes on the idea of how Irish you have to be considered one, and in “Black Hoodie” he’s crafted a combination of “Black Like Me” and “Ferris Bueler’s Day Off” that points a finger at many of our biases — and you don’t have to live on the Emerald Isle to see them in our own society and in ourselves.
He also has the wonderful ability to put himself into his characters and let them speak about their situation. And, if we learn a little bit about what a refugee to Ireland sees and feels, maybe — just maybe — we’ll be a bit more sympathetic to the immigrants who’ve come to our own land and our own communities in search of work, safety and freedom.
Fair warning: Some of the human is earthy and sexual; this is a book for mature audiences. — bz